I’m not the best with sculpture, so, going into this I kind of just focused on shapes and architectural elements of sorts. I kind of was going for like a post modernest style, but I know it doesn’t really read that way. I don’t think I’m super satisfied with this. If I were to go back and change something I’d probably paint it or something. I still might. I wish I had been able to get the curved elements more round I guess? I don’t know, I tried a lot of different methods and none worked how I wanted them too.

• Describe the project, planning phase, building/making phase, and final result.
• Add images related to the above.
• Include a sentence or two about your personal contributions to the project.

The team project was all about neon, vibrant colors surrounding the tree. We started by figuring out what supplies and where to put the yarn. Most of the project was wrapping the tree limbs and tree core in string. The layers of string started to slowly build up and become more solid. The two trees were then connected by connecting a piece of string to each side limb, creating a net of yarn in the center. I was in charge of finding what materials we were going to need and helped cover the trees in string.

My project was inspired by Frank Stella’s many cardboard sculptures. (Please look them up they’re amazing!) When I look at them it almost feels like something I can’t explain. There are pops of colour and pattern in his work that are so vibrant and captivating. I wanted to try and go for a similar vibe/feeling for my personal project.

I started out by cutting up the cardboard into triangles, circles, and rectangular curved shapes. I then used acrylic marker to color the squares with a checkerboard pattern. For the rectangular shapes I used oil pastel over white acrylic paint. After the cardboard material was gathered, I painted the entire background by blending different acrylic paint together. Taking the cardboard I glued it down proportionally. The last step was painting on the abstract shapes on the canvas.

To align with what we learned in class, I used cardboard to create some 3D aspects to the canvas. On the right corner, the cardboard extends out from the canvas as well. Doing research projects in this class helped me find new inspirations for my own work and see the process of different successful artists. My project seems to be pretty successful in my eyes but there are some changes I would make. Overall, I think there are too many empty spaces that could be filled in with more abstract details and color. I did want to add more but maybe should have taken more time to dedicate for the project.

David Oliveira is a Portuguese artist known for his unique sculptures that blur the line between two and three-dimensional space. Born in Lisbon in 1980, Oliveira studied sculpture at the Faculty of Fine Arts at the University of Lisbon before embarking on a career as an artist.

Oliveira’s work is characterized by its use of wire to create intricate, life-sized sculptures that seem to defy gravity. He often works with animal forms, creating delicate, organic structures that are at once fragile and powerful. His sculptures are designed to be viewed from multiple angles, allowing the viewer to appreciate the complexity and depth of his work.

Oliveira’s work has been exhibited in galleries and museums around the world, and he has been the recipient of numerous awards and honors, including the Best Young Artist award at the Tâmega Bienal in 2012. In addition to his work as an artist, Oliveira is also a respected educator and has taught at a number of institutions, including the Faculty of Fine Arts at the University of Lisbon.

Overall, David Oliveira’s work is a testament to the power of wire as a medium for sculpture. Through his delicate and intricate sculptures, he invites us to reconsider our relationship with the natural world and to appreciate the beauty and complexity of the animals around us.

Antony Gormley is a British sculptor known for his large-scale installations that explore the relationship between the human body and the built environment. Born in London in 1950, Gormley studied at Trinity College, Cambridge before embarking on a career as an artist.

Gormley’s work is characterized by its use of the human form as a starting point for exploration, and he often creates sculptures that are based on casts of his own body. His installations are designed to engage the viewer both physically and intellectually, creating a sense of intimacy and connection that is rare in contemporary art.

One of Gormley’s most famous works is “Angel of the North,” a 1998 sculpture that stands 20 meters tall and overlooks the A1 motorway in Gateshead, England. The sculpture is based on a cast of Gormley’s own body, and it was designed to create a sense of place and identity for the surrounding community. The sculpture has since become an iconic symbol of the North East of England, and it is widely regarded as one of Gormley’s most important works.

Gormley’s work has been exhibited in galleries and museums around the world, and he has been the recipient of numerous awards and honors, including the Turner Prize in 1994. In addition to his work as an artist, Gormley is also a respected educator and has taught at a number of institutions, including the Royal College of Art in London and the Massachusetts Institute of Technology in the United States.

Overall, Antony Gormley’s work is a testament to the power of the human form to create works that are both visually striking and emotionally engaging. Through his sculptures, he invites us to reconsider our relationship with our surroundings and to appreciate the beauty and complexity of the built environment around us.

Monika Grzymala is a German-Polish artist known for her large-scale, site-specific installations that explore the relationship between space, architecture, and the human body. Born in Zabrze, Poland in 1970, Grzymala studied at the Academy of Fine Arts in Warsaw before moving to Germany to continue her education.

Grzymala’s work is characterized by its use of simple materials, such as tape, paper, and wire, to create dynamic and immersive environments that engage the viewer’s senses. She often works directly on the walls or floors of exhibition spaces, using the existing architecture as a starting point for her installations.

One of Grzymala’s most famous works is “Raumzeichnung,” a 2010 installation that was created for the Kunsthaus CentrePasquArt in Switzerland. The installation consisted of a series of white and black lines that were wrapped around the walls and floor of the exhibition space, creating a sense of movement and depth. The effect was both visually stunning and physically immersive, inviting the viewer to engage with the work on multiple levels.

Grzymala’s work has been exhibited in galleries and museums around the world, and she has been the recipient of numerous awards and honors, including the Berlin Art Prize in 2010. In addition to her work as an artist, Grzymala is also a respected educator and has taught at a number of institutions, including the Berlin University of the Arts and the Academy of Fine Arts in Warsaw.

Overall, Monika Grzymala’s work is a testament to the power of simple materials and techniques to create works that are both visually striking and conceptually rich. Through her site-specific installations, she invites us to reconsider the relationship between space, architecture, and the human body, and to engage with our surroundings in new and unexpected ways.

Myriam Dion is a Canadian artist known for her intricate and delicate paper cuttings that explore the relationship between light, shadow, and texture. Born in Quebec City in 1981, Dion studied printmaking at the Université Laval before embarking on a career as an artist.

Dion’s work often involves the use of found materials, such as newspapers and magazines, which she transforms through the process of paper cutting. Her cuttings are characterized by their intricacy and attention to detail, and they create a sense of depth and dimensionality that is unusual for works on paper.

One of Dion’s most famous works is “Journal,” a 2013 series that was created using pages from The Globe and Mail, a Canadian newspaper. The series consisted of a series of delicate cuttings that referenced both the content and the physical properties of the newspaper itself. The effect was both visually stunning and conceptually rich, demonstrating Dion’s skill at using paper cutting to create works that are both beautiful and meaningful.

Dion’s work has been exhibited in galleries and museums around the world, and she has been the recipient of numerous awards and honors, including the Prix Louis-Comtois in 2019. In addition to her work as an artist, Dion is also a respected educator and has taught at a number of institutions, including the Université Laval and the École de joaillerie de Montréal.

Overall, Myriam Dion’s work is a testament to the power of the simple materials and techniques to create works that are both intricate and beautiful. Through her paper cuttings, she invites us to explore the ways in which light and shadow interact with the surface of the paper and to appreciate the complexity and beauty of the world around us.

Arturo Herrera is a Venezuelan-born artist known for his colorful and dynamic collages and installations that explore the relationship between form, color, and meaning. Born in Caracas in 1959, Herrera moved to New York in the early 1980s to pursue his career as an artist.

Herrera’s work is characterized by its use of bold colors, abstract shapes, and unexpected juxtapositions. He often incorporates elements of popular culture, such as cartoons and comic books, into his collages, which creates a playful and whimsical tone.

One of Herrera’s most famous works is “Les Noces,” a 2002 installation that was created for the Museum of Modern Art in New York. The installation consisted of a series of brightly colored panels that were arranged in a circular formation, creating a sense of movement and rhythm. The panels were covered in cut-out shapes that referenced both traditional folk art and contemporary pop culture, creating a complex and visually stunning work of art.

Herrera’s work has been exhibited in galleries and museums around the world, and he has been the recipient of numerous awards and honors, including a Guggenheim Fellowship in 2005. In addition to his work as an artist, Herrera is also a respected educator and has taught at a number of institutions, including Yale University and the University of Illinois at Chicago.

Overall, Arturo Herrera’s work is a testament to the power of art to transcend cultural boundaries and to speak to universal human experiences. Through his collages and installations, he invites us to explore the intersection of form, color, and meaning and to embrace the playful and whimsical aspects of our own imaginations.

Sarah Sze is a contemporary American artist known for her intricate and immersive installations that explore the relationship between space, time, and materiality. Born in Boston in 1969, Sze received her Bachelor of Fine Arts from the School of Visual Arts in New York and her Master of Fine Arts from Yale University.

Sze’s work often involves the use of everyday objects, such as office supplies, light bulbs, and construction materials, which she transforms into complex and layered works of art. Her installations are characterized by their meticulous attention to detail and their ability to create a sense of wonder and awe in viewers.

One of Sze’s most famous works is “Timekeeper,” a 2016 installation that was created for the Rose Art Museum at Brandeis University. The installation consisted of a series of suspended objects, including light bulbs, clocks, and mirrors, that were arranged in a dynamic and constantly shifting configuration. The effect was both mesmerizing and disorienting, and it demonstrated Sze’s skill at using space and materials to create immersive and unforgettable experiences.

Sze’s work has been exhibited in galleries and museums around the world, and she has been the recipient of numerous awards and honors, including a MacArthur Fellowship in 2003. In addition to her work as an artist, Sze is also a professor of visual arts at Columbia University in New York.

Overall, Sarah Sze’s work is a testament to the power of art to transform our perception of the world around us. Through her installations, she invites us to look at our everyday surroundings with fresh eyes and to appreciate the beauty and complexity of the world we inhabit.

Sam Winston is an accomplished British author and artist celebrated for producing original pieces that push boundaries through their powerful messages. After studying at both the University of Brighton and the University of Arts he began exploring visual art forms that experimented with language- analysing how it can convey meaning or emotion through various mediums such as drawing or installations.

Winstons varied body of work includes publications such as “Dictionary Story,” which became famous due to its unique approach since it used only words from one dictionary- resulting in a heartrending yet creepy tale centred around Peters life; it represents how linguistic dexterity scores high points in crafting deep literary pieces. Throughout his illustrious career path Winston has been recognised with various awards such as the distinguished Churchill fellowship award back in 2006 – positioning him amongst today’s leading edge artists whose artistic vision knows no bounds.

His magnificent installations have earned worldwide attention adored by millions who share a similar passion for inspiring art forms. Winston boasts an impressive portfolio, not only as an artist but also as a gifted writer.

His literary accomplishments include “Dictionary Story ” and he has successfully collaborated with fellow authors and creatives on various projects.

Overall, Sam Winston’s writing serves as a testament to the ability of words to convey meaning and feeling. He challenges us to reevaluate our beliefs about the nature of language and consider fresh approaches to verbal expression through his art.